Pablo Picasso Cubism Art Pablo Picasso Cubism Self Portrait

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Portrait of Pablo Picasso

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Portrait of Pablo Picasso

Appointment:

Jan–February 1912

Artist:

Juan Gris
Castilian, 1887–1927

Almost this artwork

In 1906 Juan Gris traveled to Paris, where he met Pablo Picasso and Georges Braque and participated in the development of Cubism. Only 6 years afterwards, Gris also was known as a Cubist and identified by at least one critic as "Picasso'southward disciple." Gris'due south style draws upon Analytic Cubism—with its deconstruction and simultaneous viewpoint of objects—but is distinguished by a more than systematic geometry and crystalline structure. Here he fractured his sitter'southward head, cervix, and torso into various planes and simple, geometric shapes but organized them inside a regulated, compositional structure of diagonals. The artist further ordered the limerick of this portrait by limiting his palette to cool blue, brown, and grey tones that, in juxtaposition, announced luminous and produce a gentle undulating rhythm beyond the surface of the painting.
Gris depicted Picasso every bit a painter, palette in hand. The inscription, "Hommage à Pablo Picasso," at the lesser correct of the painting demonstrates Gris's respect for Picasso as a leader of the artistic circles of Paris and every bit an innovator of Cubism. At the aforementioned fourth dimension, the inscription helped Gris solidify his ain place within the Paris fine art world when he exhibited the portrait at the Salon des Indépendants in the spring of 1912.

Status

On View

Department

Modern Fine art

Artist

Juan Gris

Title

Portrait of Pablo Picasso

Origin

Spain

Date

1912

Medium

Oil on sail

Inscriptions

Signed and inscribed, l.r.: "Hommage á Pablo Picasso/Juan Gris"

Dimensions

36 iii/4 × 29 5/16 in. (93.3 × 74.iv cm)

Credit Line

Gift of Leigh B. Cake

Reference Number

1958.525

Extended data nigh this artwork

• Vauxcelles, Louis, "Au Salon des Indépendants," Gil Blas (March 19, 1912), as Hommage à Piccasso.
• Apollinaire, Guillaume, "Les Salon des Indépendants," Fifty'Intransigeant (March 25, 1912), as Hommage à Picasso.
• R. Allard, La Revue de France (March 1912), p. 72.
• Gris, Juan, "Uber die Möglichkeiten der Malerei," trans. B. Schiratzki, Der Querschnitt 5, i (January 1925), p. 33 (ill.), as Bildnis Picasso, 1910.
• Grohmann, Will, "Die Kunst der Gegenwart auf der Internationalen Kunstausstellung Dresden, 1926," Der Cicerone xviii (June 1926), p. 400 (sick.), as Bildnis Picasso.
• Einstein, Carl, Die Kunst des 20 Jahrhunderts (Berlin: Im Propyläen, 1926), pp. 84, 329 (sick.), 563, as Bildnis Picassos, 1911.
• Internationale Kunstausstellung, Internationale kunst ausstellung Dresden, exh. cat. (Dresden: Internationale Kunstausstellung, 1926), p. 66 (true cat. 378), equally Bildnis Pablo Picasso.
• Vézelay, Paul, "Juan Gris," Artwork iv, 16 (Winter 1928), p. 259 (sick.), equally Portrait of Picasso, 1912.
• Galerie Simon, Exposition Rétrospective Juan Gris (1887-1927), exh. cat. (Paris: Galerie Simon, 1928), north.p. (cat. 4), every bit Portrait de Picasso, 1912.
• Der Querschnitt eight, 7 (July 1928), p. 506 (ill.).
• Henry, Daniel, Juan Gris (Leipzig: Klinkhardt and Biermann, 1929), p. 2 (ill.), as Bildnis Picassos, 1912.
• Galerie Alfred Flechtheim, In Memoriam Juan Gris, 1887-1927, exh. true cat. (Berlin: Galerie Alfred Flechtheim, 1930), due north.p. (cat. 2), every bit Bildnis Picassos.
• Transition 19–twenty (June 1930), n.p. (ill.), as Hommage à Picasso, 1911.
• Das Berliner Programm (Berlin, 1930) (ill.).
• Galerie Georges Petit, Cent ans de peinture française, exh. cat. (Paris: Galerie Georges Petit, 1930), n.p. (true cat. 41), equally Hommage à Picasso, 1912.
• "Juan Gris," Cahiers d'Art 5–6 (1933), due north.p. (sick.), equally Portrait de Picasso, 1912.
• Saiko, George "The Tragic Position of Abstruse Art," London Studio 5 (January 1933), pp. 47 (fig. eleven, ill.), 48, as Portrait of Pablo Picasso.
• Kunsthaus Zurich, Juan Gris, exh. cat. (Zurich: Kunsthaus, 1933), p. five (true cat. 33), xx (ill.), as Portait Picasso/Hommage à Pablo Picasso/Portrait de Picasso, 1912.
• Cogniat, Raymond, Les Créateurs du Cubisme, exh. cat. (Paris: Gazette des Beaux-Arts, 1935), n.p.
• Buffalo Fine Arts University, The Art of Today, exh. cat. (Buffalo: Fine Arts University, 1936), p. 7 (cat. 47), every bit Portait of Picasso.
• Minneapolis Institute of Arts, Bulletin of the Minneapolis Institute of Art 25, 33 (December 5, 1936), embrace (sick.), as Portrait of Picasso, 1912.
• Barr, Alfred H., Jr. et al., Cubism and Abstract Art, exh. cat. (New York: Museum of Modern Fine art, 1936), pp. 29, 42, 48 (fig. 33, ill.), 211 (cat. 94), every bit Portait of Picasso (Hommage à Picasso), 1912.
• "Modern Museum Opens Prove Despite Ignorance of U. Due south. Martinets," Art Digest 10, 12 (March xv, 1936), p. 10 (ill.), as Portait of Picasso (Hommage à Picasso), 1912.
• Woolf, Due south. J. , "Its Foster Father Talks of Modern Art: Vollard Brought Out Painters of Genius," New York Times (November xv, 1936), p. SM9 (ill.).
• Zervos, Christian, Histoire de fifty'Art Contemporain (Paris: Cahiers d'Art, 1938), p. 236 (ill.), as Hommage à Picasso, 1912.
• Alex Reid and Lefevre, L'Ecole de Paris, exh. true cat. (London: Alex Reid and Lefevre, 1938), n.p. (cat. 21, ill.), as Hommage à Picasso, 1912.
• Wheeler, Monroe, 20th century Portraits, exh. cat. (New York: Museum of Modernistic Fine art, 1942), p. 50 (sick.), as Pablo Picasso, 1912.
• Apollinaire, Guillaume, I Pittori Cubisti, trans. by Franca Minoia (Milan: Il Balcone, 1945), p. 141 (ill.), as Omaggio a Picasso, 1911.
• Kahnweiler, Daniel-Henry, Juan Gris: sa vie, son œuvre, ses écrits (Paris: Gallimard, 1946), pp. 15, 164, 172, 299, 305, 313, pl. VI (ill.), as Portrait de Picasso, 1912.
• Severini, Gino, Tutta la vita di united nations pittore (Milan: Gazanti, 1946), p. 149.
• Juan Gris et Foredrag (Copenhagen: Wivels Forlag, 1946), n.p. (fig. 3, ill.), every bit Portrait of Picasso, 1912.
• Jardot, Maurice and Kurt Martin, Dice Meister Französischer Malerei der Gegenwart, exh. true cat. (Baden-Baden: Woldemar Klein, 1948), pp. 48, 56 (cat. 13), n.p. (ill.), equally Bildnis Picasso, 1912.
• Kunsthalle Basel, Juan Gris, Georges Braque, Pablo Picasso, exh. cat. (Basel: Kunsthalle, 1948), p. 13 (cat. 5), equally Portrait de Pablo Picasso, 1912.
• Kunsthalle Bern, Georges Braque, Juan Gris, Pablo Picasso, exh. cat. (Bern: Kunsthalle, 1948), n.p. (cat. 41), equally Portrait de Pablo Picasso, 1912.
• Buchholz Gallery, Cubism: Braque, Gris, Laurens, Leger, Lipshitz, Picasso, exh. cat. (New York: Buchholz Gallery, 1949), n.p. (true cat. 7, ill.), every bit Hommage à Pablo Picasso, 1911.
• Reed, Judith Kaye, "Cubism Reviewed," Art Digest 23, xiv (Apr xv, 1949), p. sixteen (ill.), as Homage to Picasso.
• Fels, Florent, L'art vivant de 1900 à nos jours (Geneva: Pierre Cailler, 1950), p. 235 (ill.), equally Portrait de Picasso.
• Kahnweiler, Daniel-Henry, Les années héroiques du cubisme (Paris: Braun, 1950), n.p. (fig. 43, ill.), as Portrait de Picasso, 1912.
• Gray, Christopher, Cubist Artful Theories (Baltimore: Johns Hopkins Press, 1953), p. 97, as Portrait of Picasso, 1911.
• Musée national d'Art moderne, Le cubisme (1907–1914), exh. cat. (Paris: Éditions des Musées Nationaux, 1953), p. 37, equally Hommage à Picasso, 1912.
• Sabartes, Jaime, Picasso: Documents Iconographiques, trans. Félia Leal and Alfred Rosset (Geneva: Pierre Cailler, 1954), n.p. (fig. 102, ill.), as Picasso peint par Juan Gris.
• Aznar, Jose Camon, "Juan Gris y sus Etapas," Goya 3 (November–December 1954), p. 156 (fig. one, ill.), 157, as Retrato de Picasso, 1912.
• Berner Kunstmuseum, Juan Gris, exh. cat. (Bern: Kunstmuseum, 1955), n.p.
• Golding, John, "Shorter Notices: Juan Gris at Berne," Burlington Mag 97, 633 (Dec 1955), p. 385, as Hommage à Picasso, 1912.
• Aznar, José Camón, Picasso y el cubismo (Madrid: Espasa-calpe, 1956), pp. 196 (fig. 123, ill.), 197, as Retrato de Picasso, 1912.
• Penrose, Roland, Portrait of Picasso (London: Lund Humphries, 1956), p. 39 (fig. 87, ill.), equally Portrait of Picasso, 1912.
• Fosca, François, Bilan du cubisme (Paris: Bibliothèque des arts, 1956), p. xl, as Portrait de Picasso, 1912.
• Sidney Janis Gallery, Cubism 1910-1912, exh. cat. (New York: Sidney Janis Gallery, 1956), due north.p. (cat. 15, sick.), every bit Portrait de Picasso, 1912.
• Schmidt, Georg, Juan Gris und die Geschichte des Kubismus (Baden-Baden: Woldemar Klein, 1957), p. xviii, every bit Bildnis Picasso, 1912.
• "Picasso: The First Fifty Years," Vogue 129, 10 (June 1957), p. 97 (sick.).
• Kahnweiler, Daniel-Henry, Der Weg zum Kubismus (Stuttgart: Gerd Hatje, 1958), p. 94 (ill.), as Picasso, 1912.
• Mock, Jean Yves, "Notes from Paris and London: Juan Gris, A Retrospective Exhibition, at the Marlborough Gallery," Apollo 67, 397 (March 1958), p. 88.
• Soby, James Thrall, Juan Gris, exh. cat. (New York: Museum of Modern Art, 1958), pp. 18 (ill.), xx, 28, 117, as Portrait of Picasso, 1912.
• Vicente, Esteban, "Gris: reality cubed," Art News 57, 3 (May 1958), p. 33 (fig. 4, sick.), equally Portrait of Picasso, 1912.
• Sidney Janis Gallery, X Years of Janis, exh. cat. (New York: Sidney Janis Gallery, 1958), n.p. (fig. 97, ill.).
• Clark, Eliot, "New York Commentary," Studio 156, 787 (October 1958), p. 122, every bit Portrait of Picasso, 1912.
• Golding, John, Cubism: A History and an Analysis, 1907–1914 (New York: George Wittenborn, 1959), pp. 21, 96, 97, 99, n.p. (pl. 43, ill.), as Portrait of Picasso, 1911-12.
• Habasque, Guy, Le cubisme, (Geneva: Skira, 1959), pp. ix, 64 (sick.), 66, equally Homage à Picasso.
• Fine art Constitute, Annual Study 1958-1959 53, 3 (October 1959), pp. 10, 11 (sick.), as Portrait of Picasso.
• Rosenblum, Robert, Cubism and Twentieth-Century Art (New York: Harry North. Abrams, 1960), pp. 112, 113 (fig. 67, ill.), 320, every bit Portrait of Picasso, 1912.
• Establish of Gimmicky Art, The Image Lost and Found, exh. true cat. (Boston: Institute of Contemporary Art, 1960), pp. twenty (cat. 9, ill.), 48, as Portrait of Picasso, 1912.
• Art Plant, Paintings in The Art Institute of Chicago (Chicago: Art Institute, 1961), p. 207, as Portrait of Picasso, 1912.
• Berger, John, The Success and Failure of Picasso (Baltimore: Penguin Books, 1965), p. 58 (fig. 32, ill.) every bit Portrait of Picasso, 1911-12.
• Museum am Ostwall, Juan Gris, exh. true cat. (Dortmund: Museum am Ostwall, 1965), n.p. (true cat. 7, ill.), as Portrait of Picasso, 1911/12.
• Keller, Horst, "Sieg der Malerei über die Welt: Juan Gris," Köln 4:65 (December 1965), n.p. (ill.).
• Speyer, A. James "Twentieth-Century European Painting and Sculpture," Apollo 84 (September 1966), p. 222, as Portrait of Picasso, 1912.
• Kahnweiler, David-Henry, Juan Gris (Milan: Fratelli Fabbri, 1967), n.p. (fig. ane, sick.), as Ritratto di Picasso, 1912.
• Cunningham, Charles C. and John Maxon, Anselmo Carini, Instituto de arte de Chicago, El mundo de los museos (Buenos Aires: Éditorial Codex, S.A., 1967), pp. xiv (no. 59, ill.) 71 (fig. iii, ill.), equally Retrato de Picasso.
• Martini, Alberto, Picasso e il cubismo (Milan: Fratelli Fabbri, 1967), pp. 48 (pl. 22, sick.), 92, as Omaggio a Pablo Picasso, 1912.
• Wertenbaker, Lael, The World of Picasso (New York: Time Life Books, 1967), pp. 72 (ill.), 73, equally Portrait of Pablo Picasso, 1912.
• Albright-Knox Art Gallery, Painters of the Section d'Or: the Alternatives to Cubism, exh. cat. (Buffalo: Albright-Knox Art Gallery, 1967), pp. 13, 24, 25 (fig. 9, ill.), 27, 45, every bit Portrait of Picasso, 1911-12.
• Arnason, H. H., History of Modern Art: Painting, Sculpture, Architecture (New York: Harry Northward. Abrams, 1968), pp. 185, 193, 194 (fig. 345, sick.), as Portrait of Picasso, 1912.
• Cooper, Douglas, The Cubist Epoch (Oxford and New York: Phaidon and E. P. Dutton, 1970), pp. 200 (no. 108, pl. 225, sick.), 201, 287, as Portrait of Picasso, 1912.
• Maxon, John, The Art Institute of Chicago (New York: Harry Due north. Abrams, 1970), pp. 114, 115 (ill.), every bit Portrait of Picasso, 1912.
• Leymarie, Jean, Picasso: Métamorphoses et unité (Geneva: Skira, 1971), p. 226 (sick.), equally Portrait de Picasso, 1912.
• Cooper, Douglas, "Gertrude Stein and Juan Gris," Apollo 93, 107 (January 1971), p. 29, as Portait of Picasso, 1912.
• Rosenberg, Charles Thou., "Cubist Object Handling: A Perceptual Analysis," Artforum nine, viii (April 1971), pp. 35 (fig. 6, ill.), 36, as Portrait of Picasso.
• Morin, Isabelle, Analyse raisonnee des catalogues d'exposition des peintres cubistes (1907–1914) (Paris: Institut d'Art et d'Archéologie, 1972), p. 23, as Figure.
• Warnod, Jeanine, Washboat Days, trans. Carol Green (New York: Orion Printing, 1972), p. 222 (ill.), 223, equally Portrait of Picasso, 1912.
• Nishimura, Toshio (ed.), Braque et le cubisme (Tokyo: Chuokoron-Sha, 1973), n.p. (fig. 53, ill.), 122.
• Mosele, Franz, Die kubistische Bildsprache von Georges Braque, Pablo Picasso und Juan Gris unter besonderer Berücksichtigung der Entwicklung der Farbe (Ph.d. Dissertation, University of Zurich, 1973), pp. 151, 179–181, 291 (no. 9), as Portrait von Picasso (Hommage à Picasso), 1911/12.
• Duval, Jean-Luc, Periodical de l'fine art moderne, 1884–1914 (Geneva: Skira, 1973), p. 248 (sick.), as Hommage à Picasso, 1912.
• Gaya-Nuño, Juan Antonio, Juan Gris (Barcelona: Ediciones Polígrafa, 1974), pp. 31(no. 49), 32 (ill.), 78, 81, 240, as Retrato de Picasso, 1912.
• Gordon, Donald East., Modernistic Art Exhibitions 1900–1916, vol. 2 (Munich: Prestel-Verlag, 1974), p. 560, every bit Effigy.
• Orangerie des Tuileries, Juan Gris, exh. cat. (Paris: Orangerie des Tuileries, 1974), pp. 11, 21 (cat. eight, sick.), 76 (ill.), every bit Portrait de Picasso/Hommage à Pablo Picasso, 1912.
• Peppiatt, Michael, "Summer riches," Artnews 73, 6 (Summertime 1974), p. 76.
• Hoffman, Edith, "Juan Gris at the Orangerie," Burlington Magazine 141, 855 (June 1974), p. 357.
• "Orangerie des Tuileries Exposition: Juan Gris," Pantheon 32, 3 (July/August/September 1974), p. 318 (ill.), as Portrait de Picasso ou Hommage à Picasso, 1912.
• Kunsthalle Baden-Baden, Juan Gris, exh. true cat. (Baden-Baden: Kunsthalle, 1974), pp. 14, 15 (fig. 1, ill.), every bit Huldigung an Picasso, 1912.
• Courthion, Pierre "Juan Gris, le logicien du cubisme," XXe siecle 36, 43 (December 1974), p. 38, equally Hommage à Picasso.
• Cabanne, Pierre, Le siècle de Picasso, vol. 1 1881–1937 (Paris: Denoël, 1975), p. 255, as Hommage à Picasso.
• Burlington Mag 143, 885 (December 1976), p. 878 (fig. 122, ill.), as Portrait of Picasso, 1912.
• O'Brian, Patrick, Pablo Ruiz Picasso (New York: G. P. Putnam's Sons, 1976), p. 196, as Hommage à Picasso.
• Cooper, Douglas, Juan Gris : catalogue raisonné de fifty'œuvre peint (Paris: Berggruen, 1977), pp. 26 (cat. 13), 27 (sick.), as Hommage à Picasso (Portrait of Pablo Picasso), January-Feb 1912.
• Galería Theo, Juan Gris, exh. cat. (Madrid: Galería Theo, 1977), due north.p.
• Caroli, Flavio, Primitivismo e cubismo (Milan: Fratelli Fabbri, 1977), pp. 86 (fig. 2), 87 (ill.), equally Omaggio a Picasso, 1912.
• Art Found, The Art Institute of Chicago: 100 Masterpieces (Chicago: Art Institute, 1978), p. 128 (no. 79, sick.), as Portait of Picasso, 1912.
• Kondo, Y. and H. Miyajima, The Book of Great Masters, vol. 33, Braque/Léger (Nihon: Shogakukan, 1978), n.p. (pl. 3, ill.).
• Speyer, A. James and Courtney Graham Donnell, Twentieth-Century European Paintings (Chicago: University of Chicago Press, 1980), p. 44 (no. 2A7), 45, as Portrait of Picasso, 1912.
• "2 New Cubist Paintings by Juan Gris and Pablo Picasso," Bulletin of the Cleveland Museum of Art 68, 2 (February 1981), pp. 41 (fig. 9), 42 (sick.), as Portrait of Picasso, 1912.
• Museum Bochum, Hommage à Picasso, Kubismus und Musik, exh. cat. (Bochum: Museum, 1981), northward.p. (ill.).
• Rosenthal, Mark, Juan Gris, exh. cat. (New York: Abbeville Printing, 1983), pp. 24, 25 (cat. half dozen, sick.), 152, 177, every bit Portrait of Picasso, 1912.
• Frascina, Francis, Cubism: Picasso and Braque (Bully United kingdom of great britain and northern ireland: The Open up University, 1983), pp. 81 (pl. V.xc, ill.), 83, equally Hommage à Pablo Picasso, 1912.
• Parinaud, Andre, "Les Independants, la critique et la presse: L'affidavit de la modernité, 1884-1914," in Un siècle d'art moderne: L'Histoire du Salon des Independants, 1884-1984 (Paris: Éditions Denoël, 1984), p. 105, as Hommage à Picasso.
• Silverish, Kenneth, "Eminence Gris," Art in America (May 1984), p. 154 (ill.), as Portrait of Picasso, 1912.
• Larson, Kay, "The Genius of Gris," New York Magazine (June 11, 1984), p. xx, as Portrait of Picasso, 1912.
• Roskill, Mark, The Estimation of Cubism (Philadelphia: Art Alliance Press, 1985), p. 64 (no. C thirteen).
• Tinterow, Gary, Juan Gris [1887-1927], exh. cat. (Madrid: Ministerio de Cultura, 1985), pp. 26, 94 (fig. 4, ill.), 122 (cat. 8), 123 (sick.), as Retrato de Pablo Picasso (Hommage à Pablo Picasso), 1912.
• Shone, Richard, "Exhibition Reviews: Madrid, Biblioteca Nacional, A Gris retrospective for Spain," Burlington Magazine 127, 992 (Nov 1985), p. 832, as Hommage à Pablo Picasso.
• Frontisi, Claude, "La peinture lucide de Juan Gris," in Hommage a Juan Gris (1887–1927): Centenaire de sa naissance (Paris: L'Avenir Graphique, 1987), p. 15, equally Hommage à Picasso.
• Musée Municipal de Boulogne-Billancourt, Juan Gris: et les dimanches de Boulogne, exh. true cat. (Boulogne-Billancourt: Musée Municipal, 1987), p. 54, as United nations Hommage.
• Wood, James N. and Katharine C. Lee, Principal Paintings in The Art Institute of Chicago (Chicago: Art Plant, 1988), p. 117 (ill.), as Portrait of Picasso, 1912.
• Steinberg, Leo, "La fin de partie de Picasso," Les Cahiers du Musée national d'art moderne 27 (Spring 1989), pp. 14, 15 (fig. iv, sick.), every bit Hommage à Pablo Picasso, 1912.
• Rubin, William, Picasso and Braque: Pioneering Cubism, exh. cat. (New York: Museum of Modern Art, 1989), p. 389, every bit Portrait of Picasso.
• Derouet, Christian, Juan Gris: Cartas, Dibujos 1915–1921, exh. cat. (Valencia: IVAM Eye Julio González, 1990), p. nineteen, equally Hommage à Picasso.
• Los Genios de la Pintura Española: Juan Gris (Spain: Onix de Communicaciones, 1991), north.p. (fig. iv, sick.), 84 (ill.), as Retrato de Pablo Picasso, 1912.
• Rossi, Laura Mattioli, Boccioni 1912 Materia, exh. true cat. (Milan: Mazzotta, 1991), p. 58 (ill.), as Hommage à Pablo Picasso, 1911-1912.
• Bréon, Emmanuel, Juan Gris à Boulogne (Paris: Herscher, 1992), p. 17 (ill.), as Hommage à Picasso, 1912.
• Museo Nacional de Bellas Artes, Juan Gris en Buenos Aires, exh. true cat. (Buenos Aires: Museo Nacional de Bellas Artes, 1992), p. 93, as Retrato de Picasso, 1911-1912.
• Museum für Neue Kunst, Die Kunst der Frühen Jahre Freiburg 1945–60, exh. cat. (Freiburg: Städtische Museen, Museum für Neue Kunst, 1992), p. 46 (ill.).
• Green, Christopher and Christian Derouet, Karin von Maur, Juan Gris, exh. cat. (London: Whitechapel Art Gallery, 1992), pp. fourteen, fifteen–eighteen, 25, 29–30, 43, 45, 115, 118–119, 120, 172 (pl. 10, ill.), 302, as Homage to Pablo Picasso, 1912.
• Zienderogen kunst voor de basisvorming (Malmberg den Bosch: Onderbouwdeel VBO/MAVO, 1993), p. 62 (fig. fifteen.four, ill.), every bit Portret van Picasso, 1912.
• Wood, James N., Treasures of 19th-and 20th-Century Painting: The Art Institute of Chicago (New York: Abbeville Press, 1993), p. 208 (ill.), as Portrait of Pablo Picasso, 1912.
• Wood, James N. and Teri J. Edelstein, Emerge Ruth May, The Art Constitute of Chicago: The Essential Guide (Chicago: Fine art Constitute, 1993), p. 249 (sick.), as Portrait of Pablo Picasso, 1912.
• Cooper, Philip, Cubism (London: Phaidon, 1995), pp. 56 (no. 13), 57 (sick.), as Portrait of Picasso, 1912.
• Daix, Pierre, Dictionnaire Picasso (Paris: Robert Laffont, 1995), p. 419, as Portait de Picasso, 1912.
• Ferreira, Paulo, Amadeo de Souza Cardoso: Peintre Portugais, 1887–1918 (Lisbon: Fundação Calouste Gulbenkian, 1995), p. 83, equally Hommage à Picasso.
• Richardson, John, A Life of Picasso, vol. 2, 1907–1917 (New York: Random Business firm, 1996), pp. 178 (sick.), 472 (note 41), as Hommage à Picasso/Portrait of Picasso, 1912.
• Cottington, David, Cubism (Cambridge: Cambridge University Press, 1998), pp. 54 (fig. 40, ill.), as Portait of Pablo Picasso, 1912.
• Hattendorff, Claudia, Künstlerhommage: Ein Bildtypus im 19. und 20. Jahrhundert (Berlin: Reimer, 1998), pp. 9, 63–65, n.p. (pl. iii, ill.), as Hommage à Picasso.
• Musée Cantini, Juan Gris: Peintures et dessins 1887–1927, exh. cat. (Marseille: Musée Cantini, 1998), pp. fourteen (sick.), 16–20, 129, equally Hommage à Pablo Picasso, 1912.
• Blanco, Dolores Jiménez, Juan Gris (Madrid: Electa, 1999), pp. 16 (ill.), 17 (detail), 63, as Retrato de Pablo Picasso, 1912.
• Derouet, Christian, Correspondances avec Léonce Rosenberg, 1915-1927 (Paris: Heart Pompidou, 1999), p. xiii, equally Hommage à Picasso.
• Eye Georges Pompidou, Les années cubistes: collections du Centre Georges Pompidou, Musée national d'art moderne et du Musée d'art moderne de Lille Metropole, Villeneuve d'Ascq (Paris: Centre Georges Pompidou, 1999), p. 138, every bit Hommage à Pablo Picasso.
• Musée de Saint-Tropez, Les chemins du cubisme, exh. cat. (Saint-Tropez: Musée de Saint-Tropez, 1999), p. 181, as Hommage à Picasso.
• Tiberi, Jean, L'École de Paris, 1904–1929: la function de l'autre, exh. cat. (Paris: Paris Musées, 2000), pp. 198, 199 (ill.), 341, equally Hommage à Pablo Picasso, 1912.
• Cox, Neil, Cubism (London: Phaidon, 2000), pp. 205, 206 (fig. 113), 207 (ill.), 215, 222, as Homage to Pablo Picasso, 1912.
• Green, Christopher, Art in France 1900–1940 (New Oasis, Conn.: Yale University Press, 2000), pp. 22, 23 (fig. 31, ill.), 25, 92, 94, 252, as Homage to Pablo Picasso, 1912.
• Immenga, Silke, Picasso und Spanien: Kulturelle Identität als Strategie (Frankfurt am Main: Peter Lang, 2000), pp. 190, 320 (fig. 67, sick.), 342, as Hommage à Picasso, 1912.
• Wood, James Northward. and Debra N. Mancoff, Treasures from The Art Institute of Chicago (Chicago: Art Plant, 2000), p. 246 (ill.), as Portrait of Pablo Picasso, 1912.
• Robertson, Bruce, Twentieth-Century American Art: The Ebsworth Drove, exh. cat. (Washington D.C.: National Gallery of Art, 2000), p. 87 (fig. 1, ill.), as Portrait of Pablo Picasso, 1912.
• Cabanne, Pierre, Cubism (Paris: Pierre Terrail, 2001), pp. 65, 66 (ill.), 67, as Portrait of Pablo Picasso, 1912.
• Adrichem, Jan van, De ontvangst van de moderne kunst in Nederland 1910-2000: Picasso als pars pro toto (Amsterdam: Prometheus, 2001), p. 188 (ill.), as Portret van Picasso, 1912.
• Salazar, María José, Juan Gris 1887–1927, exh. true cat. (Madrid: Museo Nacional Centro de Arte Reina Sofía. 2001), p. 91, 104 (ill.), 106 (sick.), as Homenaje a Picasso.
• Cottington, David, Cubism and its histories (Manchester: Manchester University Press, 2004), pp. 144, 145 (fig. five.ane, ill.), 149, as Homage to Pablo Picasso, 1912.
• Apollinaire, Guillaume, The Cubist Painters, translated, with commentary, by Peter Read (Berkeley: Academy of California Press, 2004), p. 169, as Homage to Picasso.
• McCully, Marilyn and Michael Raeburn, Il cubismo: Rivoluzione e tradizione, exh. cat. (Ferrara: Ferrara Arte, 2004), pp. 28 (fig. 8, ill.), 29, equally Omaggio a Pablo Picasso, 1912.
• Portús, Javier, The Spanish Portrait: From El Greco to Picasso, exh. cat. (Madrid: Museo Nacional del Prado, 2004), pp. 306, 320 (cat. 85, ill.), 379–380, as Homage to Pablo Picasso, 1912.
• D'Alessamdro, Stephanie, Matisse: Radical Invention 1913-1917, exh. cat (Art Establish of Chicago, 2010), p. 237-238, fig. 30i.

• Paris, Société des Artistes Indépendants, 28th Exposition, March 20–May 16, 1912, p. 145, true cat. 1426, equally Figure.
• Dresden, Internationale Kunstausstellung, June–September 1926, cat. 378.
• Paris, Galerie Simon, Exposition Retrospective Juan Gris, June 4–sixteen, 1928, cat. four.
• Berlin, Galerie Alfred Flechtheim, In Memoriam: Juan Gris, February 1930, cat. two.
• Paris, Galerie Georges Petit, Cent ans de Peinture Française, June fifteen–30, 1930, n.p., cat. 41, as Hommage à Picasso.
• Amsterdam, Gemeentemuseum, Tentoonstelling van Fransche Kunst: Ecole de Paris, April 1932, cat. 103.
• Zurich, Kunsthaus Zurich, Juan Gris, Apr 2–26, 1933, p. five, true cat. 33 (ill.), as from "M. Etienne Bignou, Paris."
• Buffalo Fine Arts Academy, Albright Art Gallery, The Art of Today, Jan 3–31, 1936, p. seven, cat. 47, as "Drove Etienne Bignou Gallery."
• New York, Museum of Modern Art, Cubism and Abstract Art, March 2–April 19, 1936, pp. 29, 42, 48, and 211, cat. 94, fig. 33.
• London, Alex Reid and Lefevre, L'Ecole de Paris, November 1938, cat. 21 (ill.), as Hommage à Picasso.
• Freiburg im Breisgau, Friedrichsbau, Die Meister Französischer Malerei der Gegenwart, October 20–Nov 23, 1947, p. 48, cat. 13 (ill.).
• Basel, Kunsthalle, Juan Gris, Georges Braque, Pablo Picasso, February 26–March 24, 1948, cat. 5.
• Bern, Kunsthalle, Georges Braque, Juan Gris, Pablo Picasso, Apr 2–29, 1948, cat. 41.
• New York, Buchholz Gallery, Cubism, April 5–30, 1949, cat. 7 (ill.), every bit Hommage à Pablo Picasso, 1911.
• New York, Sidney Janis Gallery, Cubism 1910–1912, Jan 3–Feb four, 1956, cat. 15 (ill.).
• New York, Saidenberg Gallery, Hommage à Kahnweiler, May 13–June 8, 1957, no. cat..
• New York, Museum of Modern Art, Juan Gris, April 9–June 1, 1958, pp. 18, twenty, 28, and 117 (ill.); traveled to the Minneapolis Institute of Arts, June 24–July 24, 1958; San Francisco Museum of Art, August 11–September 14, 1958; and Los Angeles Canton Museum, September 29–October 26, 1958.
• Boston, Institute of Contemporary Art, The Epitome Lost and Institute, May 14–Baronial 28, 1960, p. 48, cat. nine (sick.).
• Dortmund, Germany, Museum am Ostwall, Juan Gris, October 23–December 4, 1965, n.p., cat. seven (sick.); traveled Cologne, Wallraf-Richartz Museum, Dec 28, 1965–February 13, 1966, as 1911/12.
• Buffalo, Albright-Knox Art Gallery, Painters of the Section d'Or: The Alternatives to Cubism, September 27–October 22, 1967, pp. 13, 24, 25, 27, and 45, cat. 9 (sick.), as 1911-12.
• Los Angeles County Museum of Modern Art, The Cubist Epoch, December 15, 1970–February 2, 1971, pp. 200–201, no. 108, pl. 225; traveled to New York, Metropolitan Museum of Fine art, Apr seven–June 7, 1971.
• Paris, Orangerie des Tuileries, Juan Gris, March 14–July 1, 1974, pp. 11, 21, and 76, cat. eight (sick.).
• Academy Fine art Museum, University of California, Berkeley, Juan Gris, Feb 7–April 8, 1983, pp. 24–25, 152, and 177, true cat. vi (ill.); traveled to Washington D. C., National Gallery of Fine art, October xv–December 31, 1983; and New York, Solomon R. Guggenheim Museum, May 18–July 15, 1984.
• Madrid, Kingdom of spain, Ministry of Civilization, Juan Gris [1887–1927], September twenty–Nov 24, 1985, pp. 26, 94, fig. 4, and 122–123, cat. 8 (ill.).
• Paris, Musée d'Fine art Moderne de la Ville de Paris, L'Ecole de Paris, 1904–1929: la part de fifty'Autre, November 30, 2000–March xi, 2001, pp. 198–199 and 341 (ill.), every bit Hommage à Pablo Picasso.
• Madrid, Museo Nacional del Prado, The Spanish Portrait: From El Greco to Picasso, October xx, 2004–February6, 2005, pp. 306, 320, and 379–380, true cat. 85 (ill.), every bit Homage to Pablo Picasso.
• Paris, Heart national d'art et de culture Georges Pompidou, Le Futurisme et Paris, Oct fifteen, 2008–January 26, 2009.
• Fort Worth, Kimbell Art Museum, The Historic period of Picasso and Matisse: Mod Masters from the Fine art Institute of Chicago, Oct. 6, 2013–February. sixteen, 2014, no cat. no.

Daniel-Henry Kahnweiler (1884–1979), Paris. Sold, Hôtel Drouot, Paris, June 13–14, 1921, Kahnweiler sequestration sale, lot 49, to "Grassat" for Galerie Simon [letters from Kahnweiler, Oct 21, 1975, and December 2, 1975; copy in curatorial object file]. With Etienne Bignou (1891–1950), Paris, and Bignou Gallery, New York, by Apr 1933 (possibly equally early on as June 1930) to at least April 1946 [Zurich 1933 and Paris 1930; messages to Bignou from Alex Reid and Lefevre, March 22 and Apr 18, 1946]. Galerie Louise Leiris, Paris, past February 1948 [Basel 1948]; sold to Buchholz Gallery, New York, by 1949 [New York 1949; letter from Kahnweiler, December 2, 1975; copy in curatorial object file]; sold to Jacques Seligmann and Co., New York, past 1949 [letter from Jacques Seligmann to Brusque Valentin, Mar. 18, 1949, and letter from Jane Wade to Seligmann, Apr. v, 1949, Seligmann Papers, Archives of American Art, Smithsonian Institution, Washington, D.C.]; sold to Leigh Cake, Chicago, June 1949 [Block Collection Card in curatorial object file]; given to the Art Establish of Chicago, 1958.

Object data is a work in progress and may be updated as new enquiry findings emerge. To help improve this record, please email . Information nigh image downloads and licensing is available here.

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Source: https://www.artic.edu/artworks/8624/portrait-of-pablo-picasso

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