Who Wrote Oops I Did It Again Max Martin Songs

2000 studio album by Britney Spears

Oops!... I Did It Again
Britney Spears - Oops!... I Did It Again.png
Studio album past

Britney Spears

Released May 3, 2000 (2000-05-03)
Recorded 1999–2000
Studio
  • third Floor
  • Avatar Studios
  • Battery Studios
  • Electric Lady Studios, New York City
  • East Bay Recording, Tarrytown
  • Pacifique Recording Studios, Hollywood
  • Rarc Studios, Orlando
  • Cheiron Studios, Stockholm
  • La Bout-de-Peilz, Switzerland
Genre
  • Pop
  • trip the light fantastic toe-pop
  • teen pop
Length 44:37
Label Jive
Producer
  • Timmy Allen
  • Larry "Stone" Campbell
  • Barry J. Eastmond
  • Jake
  • Robert "Esmail" Jazayeri
  • Rodney Jerkins
  • David Kreuger
  • Robert John "Mutt" Lange
  • Kristian Lundin
  • Steve Lunt
  • Per Magnusson
  • Max Martin
  • Rami
  • Paul Umbach
  • Eric Foster White
Britney Spears chronology
...Baby Ane More Time
(1999)
Oops!... I Did It Over again
(2000)
Britney
(2001)
Singles from Oops!... I Did It Again
  1. "Oops!... I Did It Again"
    Released: Apr 11, 2000
  2. "Lucky"
    Released: July 25, 2000
  3. "Stronger"
    Released: October 31, 2000
  4. "Don't Permit Me Exist the Last to Know"
    Released: March 12, 2001

Oops!... I Did It Once more is the second studio album by American singer Britney Spears released on May iii, 2000, through Jive Records. Though much in the vein of her debut anthology ...Babe One More Time (1999), it is a pop, dance-popular, and teen pop record, the album incorporates a more funkier and R&B sounds.[1] Contributions to the album'south production came from a wide range of producers, including Max Martin, Rami Yacoub, Per Magnusson, David Kreuger, Kristian Lundin, Jake Schulze, Darkchild, and Robert John "Mutt" Lange.[2]

Upon its release, Oops!... I Did It Again received positive reviews from music critics, who praised its product, sonic quality and Spears' vocal performance. The album became a massive commercial success, debuting at number 1 in over 15 countries while peaking within the top ten in various others. In the United States, it debuted at number ane on the Billboard 200, with first-week sales of 1.39 one thousand thousand copies, condign the fastest selling album by a female person artist since Nielsen SoundScan began tracking bespeak-of-auction music purchases in 1991.[3] This record was broken fifteen years later by Adele's 25, which sold over 3.38 million copies in its first week of release.[4]It became Spears' 2d consecutive album to exist certified Diamond by the Recording Industry Association of America, cogent sales of over ten million copies in the United States, making Spears at age 18 the youngest artist to have multiple diamond albums.[5] With worldwide sales of over twenty one thousand thousand copies,[half-dozen] Oops!... I Did It Once more is one of the best-selling albums of all-time.

Iv singles were released to promote the album. Its championship track was commercially successful in a number of territories, reaching number one in fifteen countries and peaking at number nine on the United states Billboard Hot 100. Its second single, "Lucky", peaked at number 1 in Austria, Germany, Sweden and Switzerland, within the top ten in Australia, Belgium, Canada, Denmark, Ireland, Italy, holland, New Zealand, Norway, Poland, Romania and the U.k., and at number twenty-three on the United states Billboard Hot 100. Its third single, "Stronger", reached the top x in Republic of austria, Republic of finland, Germany, Poland, Romania, Sweden, Switzerland and the United kingdom, and peaked at number xi on the U.s. Billboard Hot 100. "Stronger" became the highest-selling single off the album, receiving a Gold certification in Australia, Kingdom of denmark, Frg, New Zealand, Sweden, and the United States. Its last single, "Don't Allow Me Be the Terminal to Know", was moderately successful on the charts, peaking at number one in Romania, and inside the superlative ten in Austria, Poland, and Switzerland, but failed to chart on the The states Billboard Hot 100. To promote the anthology, Spears performed on several goggle box shows and accolade ceremonies, including a controversial performance at the 2000 MTV Video Music Awards. She also was the host and musical invitee for the first time on Saturday Nighttime Live. Furthermore, Spears embarked on a concert tour, entitled the Oops!... I Did It Once more Tour, starting on June 20, 2000 and ending at the Rock in Rio festival on January 18, 2001.

Recording and production [edit]

"When I did the first album, I had just turned 16. I mean, when I look at the album cover, I'm like, 'Oh, my lordy.' I know this adjacent anthology'southward going to be totally unlike--especially the material. I merely got finished recording the first six tracks in Sweden ii months agone, and the textile is so much more funkier and edgier. And, of class, it's more mature because I've grown as a person likewise."

—Spears on the progression of her material for the album.[vii]

Later vacationing for half dozen days following the completion of the ...Baby One More Time Tour in September 1999,[8] Spears returned to New York Urban center to begin recording songs for her next anthology; the majority of the recording took place in November. It featured contributions from Max Martin, Eric Foster White, Diane Warren, Robert Lange, Steve Lunt, and Babyface.[9] The songs "Oops!... I Did It Once again", "Walk on By" (later covered by Gareth Gates), "What U See (Is What U Get)", and "Don't Go Knockin' on My Door" were the first to be recorded at Martin's Cheiron Studios in the first calendar week of November; followed past "Stronger" and "Lucky", which were finalized (along with the title track) in January 2000. Spears recorded "Don't Let Me Be the Last to Know" at Robert Lange'southward villa in Switzerland in December 1999; Lange produced the song.[10] "Where Are Yous Now" was an outtake from ...Baby One More than Time. "Girl in the Mirror" and "Can't Make You Love Me"'s instrumental track and tune were recorded in the fall of 1999 in Sweden, with Spears recording the vocals in mid-Jan at Parc Studios in Orlando, Florida.[11] [12] Spears returned to New York, linking upwardly with producer Steve Lunt to tape Diane Warren's "When Your Eyes Say It" at Battery Studios on Friday, January 28, 2000, which preceded her TRL advent that day. "One Kiss from You" was also recorded at Bombardment Studios but was later finished at 3rd Floor in New York City. Spears also recorded the last rails for the album "Dear Diary" which would later be completed at Eastward Bay Recording in Tarrytown, New York and at Avatar Studios in New York Metropolis. Another vocal recorded during these sessions was "Heart". Her cover of "(I Tin can't Get No) Satisfaction" was recorded with Rodney Jerkins at Pacifique Recording Studios in Hollywood, California during Feb 24–26, 2000 subsequently attention the 42nd Annual Grammy Awards.[13]

By January, the so-untitled album was halfway to completion; Spears had worked on it primarily in the U.s.a. and Sweden, and finalized textile in New York City.[9] She was heavily pressured after ...Baby One More Time 's huge commercial success, stating: "It'due south kind of difficult following ten million, I take to say. But after listening to the new material and recording it, I'm really confident with information technology."[14] Upon the release of Oops!...I Did It Again, Spears said: "I mean, of course there'southward some pressure", and added: "Only in my opinion, [Oops!] is a lot ameliorate than the first album. Information technology's edgier – it has more than of an mental attitude. Information technology'due south more me, and I think teenagers will relate to information technology more." Geoff Mayfield, director of Billboard charts, added that the decision to release Oops!... I Did It Again less than a yr and a one-half later Spears' debut amounts to "very smart timing. My philosophy is when you take a young fan base, get 'em while they're hot."[15]

Music and lyrics [edit]

Oops!... I Did It Once more was considered as a sequel to Spears' debut anthology, ...Babe Ane More Time (1999),[1] percolating with a carefully measured blend of familiar pop, funk, R&B and power balladry.[16] Spears said during an interview that the album has a more mature, R&B-flavored popular sound. "It's non something I changed purposefully", Spears said of the album'southward sound and added: "Information technology's only something that kind of changed on itself with me being older. My voice has changed a little fleck and I'grand more confident, and I think that comes across on the material."[seven] Ane of its producers, Rodney "Darkchild" Jerkins talked almost working with Spears on a Rolling Stones embrace, stating: "It'southward going to shock everybody", adding: "It has flavors of the original, merely it's a direct 2000 version — new to the ear. Which I recall is cool, because people who capeesh that song are going to love it. And I made information technology so new and young that the young kids that love Britney are going to love it. Information technology'southward going to grab both a mature and young audience."[17] Spears worked with Robert "Mutt" Lange on "Don't Let Me Be the Concluding to Know", telling MTV News: "When you hear the song, it's and then pure and delicate. It's but ane of those songs that pull you lot in", and added: "I think they wrote information technology 'specially for me, because the lyrics of the song, if you really listen … they're more of what I can relate to, 'crusade they're kind of immature lyrics, I remember. I don't call up Shania would probably sing some of the words that I'm saying."[17]

The championship rail and opening song, "Oops!... I Did Information technology Again", was compared to her debut single, "...Babe One More Time" (1998), featuring a slap-and-pop bassline, synthesizer chord stabs and a mechanized beat. Lyrically, the song sees Spears warning to an overeager prospective lover: "Oops, you call back I'one thousand in dearest/That I'm sent from to a higher place — I'm not that innocent."[eighteen] The song also breaks downwardly for a spoken-give-and-take interlude, involving a line from the film Titanic (1997).[18] The 2d runway "Stronger" is a synthpop[xix] and R&B-infused track,[17] which is lyrically a declaration of independence, where Spears leaves a partner who treats her like property.[xx] The line "my loneliness ain't killing me no more" makes reference to the verse "my loneliness is killing me" from her song "...Baby One More Time".[17] Another R&B-infused rails, which also adds a scrap more than funk to the mix,[17] "Don't Get Knocking on My Door" finds Spears confidently forging alee after a breakdown.[20] The quaternary track, a cover of the Rolling Stones' "(I Can't Get No) Satisfaction", begins with mushy guitar plucking and breathy coos, until a dry, crackling lockstep is thrown down, turning the song into an urban stomp.[21] The dance-pop version as well jettisons the song'southward last verse and adds some new lyrics[17] ("how white my shirts could be" becomes "how tight my skirt should be").[22] "[It] was my thought [to record the vocal]", Spears said. "I was just similar, 'I like this song,' and I recollect it will be a actually cool combination working with [hip-hop producer] Rodney [Jerkins] and doing a actually funky song like that."[thirteen] The fifth track, "Don't Let Me Be the Concluding to Know", was co-written by country-pop vocalizer-songwriter Shania Twain and her then-husband, producer Robert "Mutt" Lange, who also produced the track.[17] The carol, which boasts a slinky keyboard riff and Lange's characteristically lavish production, finds Spears assuasive a bit of country twang into her vocals equally she begs a lover to reveal his feelings: "My friends say y'all're into me ... but I need to hear it straight from you", she sings.[17]

The sixth track "What U See (Is What U Get)" demands respect by rebuking a jealous partner,[20] while the 7th track, "Lucky", is a eye-rending tale of a Hollywood starlet's loneliness, proving that fame can exist empty.[20] "If there's nil missing in my life/Then why do these tears come at night?", she asks.[xix] "School vanquish" is the theme of "Ane Kiss from You lot",[20] a track that has a reggae-manner beat and lyrics nearly the feelings of falling in love, and the quickness of it,[23] with Spears cooing that after merely one kiss she sees her entire future with her lover.[24] The carol "Where Are You At present" talks about wanting to know where a previous beloved is, and what that person is upwardly to, so that she tin can finally let them go and find closure.[ commendation needed ] Lines on "Tin can't Make You lot Love Me", a Europop song,[21] country that fancy cars and money stake in comparison to truthful love,[20] with Spears singing: "I'm just a girl with a trounce on y'all."[21] The mid-tempo, synth-backed "When Your Optics Say Information technology", written past songwriter Diane Warren, combines a string department with a loping hip hop beat,[17] while Spears makes her ain songwriting debut on the modest, keyboard-driven ballad "Dear Diary", which she said is autobiographical. On the track, she sings of wanting to become "and so much more than than friends" with a boy.[17]

Release and promotion [edit]

In tardily 1999, Spears promoted her upcoming album in Europe with live performances of her past songs. She appeared on Smash Hits in the United Kingdom.[25] In Italy, she did a short interview on the idiot box show TRL Italia in early on 2000.[25] and gave a surprise operation in Paris in May 2000.[26] In Australia, Spears appeared on The Business firm of Hits and Russell Gilbert Live on May 13.[25] In Spain, she gave an interview with El Rayo on September 8 and October 24.[25] Spears performed at large venues in the Uk, including Birmingham, the Wembley Arena in London, and the Manchester Evening News Arena. She was accompanied by NSYNC, who toured with her during a short United kingdom outing in October 2000.[26]

Oops!... I Did It Again was offset released in Japan on May 3, 2000, and was later released in the Us on May xvi. In the United States, Spears appeared on Saturday Night Live on May thirteen, The Rosie O'Donnell Show on May fifteen, and Teen People'southward 25 Under 25 on May 26.[27] On May 10, she was interviewed on Late Night with Conan O'Brien.[25] On May thirteen, Spears was both the host and musical invitee on NBC'south Saturday Nighttime Live. She also performed on NBC's The Tonight Evidence with Jay Leno on May 23.[28] Spears' held her post-TRL listening party, "Britney'south Offset Listen", on May 16, and was toast the arrival of her album on next Tuesday's installment of TRL that started at 3:30 p.m. (ET).[29] On May 14, she was at Times Square studios for two hours of "Britney Live" that started at noon.[29] Spears performed "Oops!... I Did It Again" on MTV'southward All Access: Backstage with Britney that was broadcast on July 19, 2000.[25] On September 7, at the 2000 MTV Video Music Awards in New York City at the Radio Urban center Music Hall, Spears gave a memorable live performance.[30] which included a cover of the Rolling Stones's hit single "(I Can't Get No) Satisfaction" (1965) and her own hitting "Oops!... I Did Information technology Again", released earlier that yr. While she began her segment in a black suit, she shocked the audience and the media while, at only the age of eighteen, ripped information technology off to brandish a revealing, mankind-colored stage outfit with hundreds of strategically placed Swarovski crystals.[31] 1 month before the release of the album, Spears headed to Hawaii on Easter Dominicus so she could record a Fox television set special titled Britney Spears in Hawaii. The free concert was held on the beach in front end of the Hilton Hawaiian Village lagoon in Honolulu, Hawaii.[32] The Fox concert result was intended to serve every bit a preview of Spears' Oops!... I Did It Again album that features her twelve new songs.[32] Spears had on a month-long international promotional tour in support of Oops!... I Did It Again, and on May 2, she had a press event at Kokusai Forum Hall in Tokyo, and fabricated stops in both London and Hawaii.[33] Spears was too among the scheduled performers on the 42nd Almanac Grammy Awards, which aired on CBS at 8 p.chiliad. (ET/PT).[34] She was as well expected to appear on a Grammy-twenty-four hours TRL.[34]

The album's supporting bout, the Oops!... I Did It Again Tour, visited North America, Europe, and Brazil as part of Rock in Rio. On the Crazy 2k Tour, Spears introduced the songs "Oops!... I Did It Again" and "Don't Let Me Be the Last to Know". On June 24, 2000, Spears was featured in a impress and television advertising entrada for Clairol's Herbal Essences shampoo line. In a special coup for Clairol, Spears recorded her ain song for the brand called "I've Got the Urge to Herbal" that was featured in 60-second radio spots and was office of a pre-concert video presentation for Spears's fifty-city summer concert tour, in which Herbal Essences was the tour sponsor.

Singles [edit]

"Oops!... I Did It Again" was released as the lead unmarried from the album and achieved worldwide popularity. It became Spears'southward third top-ten hit unmarried on the Us Billboard Hot 100, peaking at number nine; however, in comparing to the huge success of her debut single "...Baby Ane More Fourth dimension", Jive Records considered "Oops!... I Did It Again" a modest thwarting.[36] The song peaked at number 1 on the US Mainstream Top 40,[37] property the record for the near radio additions in i day. "Oops!... I Did Information technology Again" peaked atop the charts in Australia, Belgium, Canada, Italy, the Netherlands, New Zealand, Norway, Poland, Romania, Kingdom of spain, Sweden, Switzerland and the United Kingdom.[38] An accompanying music video for "Oops!... I Did It Again" saw Spears on Mars in at present-iconic reddish shiny catsuit, while she is visited past an American astronaut who easily her the fictional Heart of the Ocean jewel which Rose threw into the sea at the end of Titanic.[39]

The album'southward second single, "Lucky", was released on July 25, 2000 and received positive response from the music critics, who considered one of her all-time offerings from the album. Commercially, "Lucky" topped the charts in Republic of austria, Germany, Sweden and Switzerland, while reaching number five on the UK Singles Chart.[xl] In the United States, "Lucky" just managed to peak at number xx-three on the Billboard Hot 100 chart and at number nine on the Mainstream Tiptop 40.[36] The "glittery" music video sees Spears as the narrator and an actress named Lucky, who is a melancholy movie star and shows her conflicted relationship to fame.[41]

The third single, "Stronger", was released on October 31, 2000 and became the album'due south second highest-charting single in the United states, peaking at number eleven on the Billboard Hot 100 and number one on the Hot Single Sales.[36] It reached number 7 on the UK Singles Chart.[42] Its music video sees Spears catching her boyfriend cheating on her at a futuristic turntable nightclub, driving off, getting in a wreck and singing in the pelting,[41] while the chair sequence in the video was inspired by Janet Jackson'southward video for "The Pleasance Principle".[43]

The fourth and final single, "Don't Let Me Be the Terminal to Know", was released on March 12, 2001 and is one of Spears' favorite tracks of her career. In the United states of america, the song performed well beneath expectations, failing to chart on the Billboard Hot 100 nor the Mainstream Tiptop 40. However, the song attained success in Europe, topping the Romanian Top 100 and peaking inside the superlative ten in Republic of austria, Poland and Switzerland, while simply missing the top x in Germany, Ireland, Sweden and the Uk, peaking at number twelve in all of them.[44] The music video was considered as well racy at the fourth dimension, portraying Spears in love scenes with her fictional boyfriend, played by French model Brice Durand.[45]

"You lot Got Information technology All" received a promotional release in French republic in May 2000. A promotional CD unmarried for "When Your Eyes Say Information technology" was released in the United Kingdom in January 2001.[ commendation needed ]

Critical reception [edit]

Professional ratings
Aggregate scores
Source Rating
Metacritic 72/100[47]
Review scores
Source Rating
AllMusic [1]
Billboard favorable[16]
Christgau's Consumer Guide (choice cut) [48]
Entertainment Weekly B[21]
Los Angeles Daily News [49]
MTV Asia 8/10[50]
NME eight/10[19]
Rolling Stone [22]
Salon favorable[51]
Sonic.net [52]

Oops!... I Did Information technology Once again received favorable reviews from music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, Oops!... I Did Information technology Again received an average score of 72, based on 12 reviews, indicating "mostly favorable reviews".[53] Giving the album four out of v stars, Stephen Thomas Erlewine of AllMusic noted that the anthology "has the aforementioned combination of sweetly sentimental ballads and endearingly gaudy trip the light fantastic-popular that made 'I More Time'," only remarked that, "Fortunately, she and her production team non only have a stronger overall set of songs this fourth dimension, merely they also occasionally become carried away with the same bewildering magpie aesthetic, [...] giv[ing] the album grapheme apart from the well-crafted trip the light fantastic toe-popular and ballads that serve as its center. In the end, it'due south what makes this an entertaining, satisfying mind."[1] Billboard mag wrote that "'Oops!...' indicates that she'south developing a soulful edge and emotional depth that tin't be conjured with a glass-shattering notation," praising the album for consistently cast[ing] Spears as a young woman coming to terms with her inner ability—and that'due south a darn good message to offer an impressionable audition."[16] Entertainment Weekly's David Browne gave the album a B-rating, writing that the anthology "reminds us once again that the best new pop can exist a blast of cool air in a stifling room."[21]

Rob Sheffield of Rolling Stone gave the album a three-and-a-half out of 5 stars rating, calling the album "fantastic pop cheese, with much ameliorate song-factory hooks than 'N Sync or BSB get", as well noting that "the dandy thing about Oops!, under the cheese surface, is complex, vehement and downright scary, making her a true kid of rock & roll tradition."[22] A writer of NME reported that "she's modern-mean solar day pop perfection realised in a nearly, human form", commenting that "she'south washed it again."[19] Lennat Mak of MTV Asia named information technology "a brilliant second anthology", writing that Spears "is armed with a more mature and seasoned pop star look, stronger and poppier songs, and of course, extensive media exposure."[l] Andy Battaglia of Salon called the album "a masterpiece of sorts non for its message but for the way it applies the conventions of the pop-musical medium."[51] Website The A.V. Club was more mixed, calling information technology "a joyless bit of redundant, obvious, competent cheese, recycling itself at every turn and soliciting songwriting from such soulless hacks as Diane Warren and contrasted Swedes."[54]

Accolades [edit]

Commercial performance [edit]

In the United States, Oops!... I Did Information technology Again reportedly sold 500,000 copies in its first solar day of release.[60] Information technology debuted at number one on the Billboard 200 chart, with commencement-week sales of i,319,193 copies.[61] [62] [63] With its success, Spears held the record for the highest offset-week sales by a female artist.[64] This record was held for 15 years, only to be surpassed in Nov 2015 by the album 25 by Adele, which sold over 3.38 million albums in the United States in its first calendar week.[4] The album fell to number ii in its second week, with additional sales of 612,000 copies.[65] It held this position for fifteen consecutive weeks.[66] [67] Past its fifth week of availability, Oops!... I Did Information technology Again had sold over three meg copies and had passed five million copies by August.[68] On its seventeenth calendar week on the chart,[69] information technology was certified septuple Platinum by the Recording Industry Association of America (RIAA) for shipments of seven million units.[70] [71] The album spent eighty-iv weeks on the Billboard 200, xxx-one weeks on the Canadian Albums Nautical chart, and two weeks on the United states Catalog Albums.[72] Oops!... I Did It Once more debuted at number eighty-ii on the European Top 100 Albums, and quickly peaked at number one;[73] it sold over four million copies within the continent, being certified four-times Platinum by the International Federation of the Phonographic Industry.[74] Oops!... I Did It Again reached number ii on the United kingdom Albums Nautical chart,[38] selling 88,000 copies in the showtime week of release; it remained in the top 5 for iv weeks. The album debuted at number one in Canada, selling 95,275 copies in its starting time calendar week.[75]

It topped the French Albums Nautical chart[76] and the German Offizielle Meridian 100, too being certified triple Platinum past the British Phonographic Industry (BPI),[77] double Gold by the Syndicat National de l'Édition Phonographique (SNEP)[78] and triple Platinum by Bundesverband Musikindustrie (BVMI),[79] denoting shipments to retailers of 900,000 units, 200,000 copies sold and 900,000 units shipped, respectively. Additionally, the album debuted at number 2 on the Australian Albums Chart, and spent ten weeks in the top twenty;[80] it became the fourteenth highest-selling of 2000 in the land and was certified double Platinum past the Australian Recording Manufacture Clan (ARIA) the following yr after aircraft 140,000 copies to retailers.[81] [82] Oops!... I Did Information technology Once more opened at number three on the New Zealand Albums Nautical chart and was certified Gold after merely one week on the chart.[83] The Recording Industry Association of New Zealand (RIANZ) ultimately certified it double Platinum.[84] Oops!... I Did It Again became the third best-selling anthology of 2000 in the United States, selling 7,893,544 albums according to Nielsen SoundScan[85] and fourth acknowledged album co-ordinate to Billboard Year-End of 2000.[86] On January 24, 2005, the album was certified decuple Platinum (Diamond) by the Recording Industry Clan of America (RIAA).[87] [88] Besides, the album landed at number twenty-seven on BMG Music Society all-fourth dimension best-sellers listing with ane.21 meg units, behind Shania Twain's The Woman in Me (1.24 million) and Nirvana's Nevermind (1.24 million).[89] As of July 2009, the album has sold 9,184,000 copies in the United states, excluded copies sold through clubs, such as the BMG Music Service.[90] Worldwide, Oops!... I Did It Over again sold ii.5 one thousand thousand copies in its first week (second highest offset week sales past a female creative person worldwide) and sold 15 one thousand thousand copies by the end of the twelvemonth. It was the best-selling female anthology and 3rd best selling album of 2000. The album has sold 20 meg copies worldwide.[6]

Controversy [edit]

Musicians Michael Cottril and Lawrence Wnukowski filed a copyright case against Spears, Zomba Recording Corporation, Jive Records, Wright Entertainment Group and BMG Music Publishing, claiming Spears' "What U Run into (Is What U Get)" and "Tin't Make You Love Me" are "virtually identical" to one of their songs. Cottrill and Wnukowski claimed that they authored, recorded and copyrighted a song called "What Yous See Is What Y'all Get" in 1999 to one of Spears' representatives for consideration on a hereafter anthology, though information technology was rejected.[91] The case was afterwards dismissed later on information technology was ruled that they lacked sufficient evidence and that there "weren't plenty similarities between the two songs to prove copyright infringement."[92]

Rails listing [edit]

Oops!... I Did Information technology Once more  – North American edition[93]
No. Title Writer(s) Producer(s) Length
1. "Oops!... I Did It Once more"
  • Max Martin
  • Rami Yacoub
  • Martin
  • Yacoub
iii:31
ii. "Stronger"
  • Martin
  • Yacoub
  • Martin
  • Yacoub
iii:23
3. "Don't Go Knockin' on My Door"
  • Martin
  • Yacoub
  • Jake Schulze
  • Alexander Kronlund
  • Jake
  • Yacoub
3:43
4. "(I Can't Go No) Satisfaction"
  • Mick Jagger
  • Keith Richards
Rodney Jerkins 4:23
5. "Don't Let Me Be the Final to Know"
  • Robert John "Mutt" Lange
  • Shania Twain
  • Keith Scott
Lange iii:50
6. "What U See (Is What U Get)"
  • Per Magnusson
  • David Kreuger
  • Jörgen Elofsson
  • Yacoub
  • Magnusson
  • Kreuger
  • Yacoub
3:36
seven. "Lucky"
  • Martin
  • Yacoub
  • Kronlund
  • Martin
  • Yacoub
3:26
8. "Ane Buss from You" Steve Lunt
  • Lunt
  • Larry "Stone" Campbell
three:23
9. "Where Are You lot Now"
  • Martin
  • Andreas Carlsson
  • Martin
  • Yacoub
4:39
10. "Can't Make You Honey Me"
  • Kristian Lundin
  • Carlsson
  • Martin
  • Lundin
  • Jake
3:17
xi. "When Your Optics Say Information technology" Diane Warren
  • Lunt
  • Robert "Esmail" Jazayeri
  • Paul Umbach[a]
iv:29
12. "Dear Diary"
  • Britney Spears
  • Jason Blume
  • Eugene Wilde
  • Timmy Allen
  • Barry J. Eastmond
2:46
Total length: 44:37
Oops!... I Did Information technology Again  – International edition[94]
No. Title Writer(s) Producer(s) Length
12. "Girl in the Mirror" Elofsson
  • Magnusson
  • Kreuger
iv:06
13. "Dear Diary"
  • Spears
  • Blume
  • Wilde
  • Allen
  • Eastmond
ii:46
Total length: 48:24
Oops!... I Did It Over again  – Asian edition[95]
No. Title Writer(s) Producer(due south) Length
11. "When Your Eyes Say It" Warren
  • Lunt
  • Jazayeri
  • Umbach[a]
4:06
12. "Girl in the Mirror" Elofsson
  • Magnusson
  • Kreuger
3:36
thirteen. "You Got It All" Rupert Holmes Eric Foster White 4:43
14. "Love Diary"
  • Spears
  • Blume
  • Wilde
  • Allen
  • Eastmond
two:46
Total length: 52:33
Oops!... I Did It Over again  – Japanese, Australian, Mexican, Asian and United kingdom special edition[96] [97]
No. Championship Author(s) Producer(due south) Length
xi. "When Your Optics Say It" Warren
  • Lunt
  • Jazayeri
  • Umbach[a]
iv:06
12. "Girl in the Mirror" Elofsson
  • Magnusson
  • Kreuger
three:36
13. "You Got It All" Holmes White 4:10
xiv. "Center"
  • George Teren
  • Wilde
  • Lunt
  • Campbell
3:31
15. "Dear Diary"
  • Spears
  • Blume
  • Wilde
  • Allen
  • Eastmond
two:46
Total length: 55:34
Oops!... I Did Information technology Again  – Australian special edition (bonus disc)[98]
No. Championship Length
1. "Don't Allow Me Be the Final to Know" (Album version) 3:fifty
2. "Don't Let Me Be the Last to Know" (Hex Hector Radio Mix) four:01
three. "Don't Permit Me Be the Last to Know" (Hex Hector Club Mix) 10:12
4. "Stronger" (MacQuayle Mix Show Edit) 5:21
5. "Stronger" (Pablo La Rosa'due south Tranceformation) 7:21
6. "Oops!... I Did Information technology Once again" (Music video) iv:11
seven. "Lucky" (Music video) iv:07
viii. "Stronger" (Music video) 3:37
9. "Don't Let Me Be the Last to Know" (Music video) three:51
Total length: 30:52
Oops!... I Did It Again  – Asian special edition (bonus disc)[99]
No. Championship Length
i. "Oops!... I Did It Again" (Music video) 4:20
two. "Lucky" (Music video) 4:14
3. "Stronger" (Music video) three:47
4. "Oops!... I Did Information technology Again" (Karaoke) 4:17
5. "Lucky" (Karaoke) four:18
6. "Stronger" (Karaoke) 3:46
Total length: 25:25

Notes

  • Runway iv, "(I Tin't Get No) Satisfaction" is a cover of the 1965 Rolling Stones single.
  • ^a signifies a vocal producer

Personnel [edit]

Credits adapted from AllMusic.[100]

  • Britney Spears – vocals, background vocals, spoken words, concept
  • Steve Lunt - A&R, composer, producer, cord arrangements
  • Jeanne LeBlanc – cello
  • Jesse Levy – cello
  • Kermit Moore – cello
  • Eugene J. Moye – cello
  • Harvey Mason, Sr. – editing
  • Bobby Chocolate-brown – assistant engineer
  • Flip Osman – assistant engineer
  • Clayton Wood – assistant engineer
  • Anthony Ruotolo – assistant engineer
  • Alfred Bosco – assistant engineer
  • Shane Stoneback – assistant engineer
  • Charles McCrorey – engineer, assistant engineer
  • Michel Gallone – engineer, mixing engineer
  • Chris Trevett – engineer, song engineer, mixing engineer
  • Eric Gast – engineer
  • Tim Donovan – engineer
  • Harvey Stonemason, Jr. – engineer
  • Dan Gellert – engineer
  • John Amatiello – engineer
  • Stephen George – mixing engineer
  • Dexter Simmons – mixing engineer
  • Chris Tergesen – string engineer
  • Michael Tucker – vocal engineer
  • Jackie Murphy – fine art direction, design
  • Mark Seliger – dorsum cover, cover photo
  • Larry "Rock" Campbell – bass, guitar, producer, drum programming
  • Marji Danilow, Judith Sugarman, Thomas Lindberg – bass
  • Esbjörn Öhrwall – guitar
  • Johan Carlberg – guitar
  • Michael Thompson – guitar
  • Kali – hair stylist
  • Gloria Agostini – harp
  • Max Martin – keyboards, programming, producer, mixing engineer, spoken word
  • Robert "Esmail" Jazayeri – keyboards, producer, drum programming
  • Per Magnusson – keyboards, programming, producer, mixing engineer
  • Jake – keyboards, programming, producer, mixing engineer
  • Kristian Lundin – keyboards, programming, producer, mixing engineer
  • Rami – keyboards, programming, producer, mixing engineer
  • David Kreuger – keyboards, programming, producer, mixing engineer
  • Kent Woods – keyboards
  • Elan Bongiorno – make-upwardly
  • Johnny Wright – management
  • Tom Coyne – mastering
  • Nigel Green – mixing
  • Jon Ragel – photography
  • Barry Eastmond – pianoforte, usher, keyboards, producer, engineer, orchestral arrangements
  • Rodney Jerkins – producer, engineer, vocal system, mixing engineer
  • Robert John – producer
  • Timmy Allen – producer
  • Richard Meyer aka Swayd – programming
  • Cory Churko – programming
  • Kevin Churko – programming
  • William Meade – string coordinator
  • Hayley Hill – stylist
  • Alfred V. Brown – viola, orchestra contractor
  • Julien Barber – viola
  • Olivia Koppell – viola
  • Harry Zaratzian – viola
  • Maxine Roach – viola
  • Stephanie Baer – viola
  • Richard Henrickson – violin, concertmaster
  • Sanford Allen – violin
  • Belinda Whitney-Barratt – violin
  • Sandra Billingslea – violin
  • Winterton Garvey – violin
  • Gerald Tarack – violin
  • Joyce Hammann – violin
  • Stanley Hunte – violin
  • Regis Iandiorio – violin
  • Gene Orloff – violin
  • Marion Pinhiero – violin
  • Marti Sweet – violin
  • Amahid Ajemian – violin
  • Xin Zhao – violin
  • Margaret Magill – violin
  • Ashley Horne – violin
  • Nikki Gregoroff – background vocals
  • Audrey Martells – background vocals
  • Nana Hedin – background vocals
  • Darryl Anthony – background vocals
  • Nora Payne – background vocals
  • Jeanette Söderholm – groundwork vocals
  • Therese Ancker – background vocals
  • Charlotte Björkman – background vocals
  • Andres Von Hofsten – groundwork vocals
  • Nina Woodford – background vocals
  • Mona Yacoub – background vocals
  • Jeanette Olsson – background vocals
  • Stephanie Baer – groundwork vocals

Charts [edit]

Certifications and sales [edit]

Release history [edit]

See also [edit]

  • List of acknowledged albums
  • Listing of best-selling albums by women
  • List of acknowledged albums in the United States
  • List of fastest-selling albums

Notes [edit]

  1. ^ As of December 2010, Oops!...I Did It Once more has sold ix,201,000 copies in the Us co-ordinate to Nielsen SoundScan,[186] with additional 1,210,000 copies sold at BMG Music Clubs.[89] Nielsen SoundScan does non count copies sold through clubs like the BMG Music Service, which were significantly popular in the 1990s.[90]

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Bibliography [edit]

  • Salaverri, Fernando (2005). Sólo éxitos. Año a año. 1959-2002 [Only Hits. Yr by year. 1959-2002] (in Spanish). Madrid, Spain: Iberautor Promociones Culturales. p. 943. ISBN9788480486392.

External links [edit]

  • Official website

slaughtersuarry.blogspot.com

Source: https://en.wikipedia.org/wiki/Oops!..._I_Did_It_Again_(album)

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